I first met Thomas Dayzie at a webinar, hosted last year by Nuclear Princeton, meant to showcase the group’s work on often overlooked parts of America’s nuclear history. Thomas specifically focuses on the intersection of art and our nuclear legacy, and in his talk, he showcased some particular works by the late Japanese American artist Patrick Ryoichi Nagatani. Thomas’ work, as well as Nagatani’s, moved me for their beauty and poignancy. I immediately knew that I had to learn more, not only about Nagatani but about Thomas and Nuclear Princeton as well. See the full article here